Tag Archives: school

Oh, the Places I’ve Been!

I have a severe case of unconsummated wanderlust.  I spend a lot of time on travel blogs, clicking my way through photos of other people’s vacations, and seething with jealousy as I tally up all the magical foreign moments I am not experiencing.  Like, I am not on this beach and I am not climbing this mountain and I am definitely not eating this amazing-looking cheese thing and I don’t know why.  And, yeah, that cheese would go great with this whine right here, but really I’m just saying that I go through days when I feel like the world is so very small.

But the places I have been to also have a tendency to become staple locations in my life.  There may be years between visits but, when I finally get there again, there are all sorts of old memories and emotions that come rushing back—shadows of the time I had spent on those streets and inside those buildings.

Vegas

…is a city that never changes.  New hotels may get whipped up on top of the bones of the old, but it’s the barest flicker in a winding wall of lights.  I would know—I’ve gone to Vegas with my family for every Christmas since I was four.  Up and down the strip that many times and you’d think I’d be fully aware of these large shifts in the steel landscape, but it’s not like that at all.  Only every once in a while do I even pause.  “Wasn’t something else here?”

Every time I see those Vegas lights, it’s an eye roll and a rueful laugh.  I remember coming to Vegas when we were still adjusting to life in America and Caesar’s Palace was the grandest thing we had ever seen.  We would marvel at the shops and the statues, posing for photos and feeling quite luxurious.  Looking back at photos, I can see it’s really just Vegas: tacky, tawdry, and covered in all sorts of razzle-dazzle that could vanish into a poof of smoke.  But it was a magical escape for our little family—so far from home, trying to make the best of it despite how hard we had to struggle.

Christmas 2013 was much of the same for me, even though I’ve obviously grown old enough to understand the wink that the entire city represents.  We’ve walked those casinos so many times at this point that I could rattle off the sights (and buffets) off the top of my head. And yet, it still feels like those early immigrant escapes.  It can be as simple as getting my mom drunk on a colorful Fat Tuesday drink, or watching my dad scurry away when a pair of, uh… working ladies tried to approach him. (This actually happened during Christmas 2013.  My mom watched the women go from a distance and very gleefully commented to me, “I think those were prostitutes!”)

The excitement reminds me of how lucky we’ve been, with each trip more luxurious than the last and light years away from our tight-budgeted first vacation.  We’ve come so far and I’m so proud of my parents for getting us here.  All the things that have changed since the early ‘90s—almost entirely inevitable developments like children growing up and parents aging in an empty nest—fall away in Vegas.  It’s still our family.

Hangzhou

…is a city that is always changing.  So much so that it basically disappears into its new identity every time I visit.  China transforms explosively between each of my trips—even a two-year gap can render my homeland almost unrecognizable.  Hangzhou isn’t as well-known to the Western world as, say, Shanghai or Beijing but it carries a certain amount of fame within China.  It’s a beautiful city; the translation of its name is “Heaven’s land” and, if you’ve walked along the shore of its famed West Lake, you could see why.  There’s a perpetual sense that the opposite bank is drifting away into the mist, an unknown world just a wooden boat ride away.  The water’s surface hides an ancient heartbeat of romance and longing but, as you move away from it and wander back to the main streets, Hangzhou is working hard to become a cosmopolitan center of a voraciously developing nation.

Of our direct family, only my parents, myself, and my sister live abroad.  Everyone else remains in China and they contribute acutely to my sense of how time just slips away.  I’m Rip Van Winkle every time I get out of the cab in that city.  Entire blocks have been rebuilt and family members—ones with whom I last remember running around the garden trying to dig up centipedes—definitely not something you should let your kids do, by the way—are shy strangers.  I have an aunt whom I remembered as a strict matriarch when I was little but, in a flash of years, suddenly became a confidante with whom I can greedily gossip over afternoon tea and snacks.  I have a cousin whom I remembered as the Batman to my Nightwing (I was never Batgirl) when it came to crime-fighting / pantsing the neighbor boy for being a twerp and, in the same flash of years, suddenly became sullen and unapproachable.

It is hard to leave Hangzhou because I know I will never see it again.  Not this version, not in the same light, not with the same people.  It will have swum ahead to the opposite shore and I can only wonder what the mist will change.

Manhattan

…changes everything.  And for me, personally, that change will only happen once.  I lived there for four glorious years and, besides the dear friends who remained in the city for whom I happily make travel allowances, I have little interest in going back.  It’s an entity unlike any other and a place that will impose its personality on its residents, for better or worse.

I mostly remember the chaos.  We were art students and we knew everything and simultaneously knew absolute fuck-all.  High on our mostly worthless ideas, we feverishly dreamt those years away and blithely burned ourselves out on obsessive projects that any therapist could probably identify as some form of narcissism.  And, in my opinion, this was the best thing we could’ve ever done.  Those obsessions needed to be burnt and those stupid ideas needed to be blown out our asses so their true nature could be revealed.

Obviously, there are other people who thrive on Manhattan’s chaos and I think that’s great.  The point is, though, that Manhattan always has to be experienced at least once.  It lets you play for a while and you think you’re totally safe and anonymous in its teeming population, but really it’s pushing you toward an existential cliff.  And you can’t really be anonymous when your toes are curling over the edge—you kinda gotta know what you wanna do about it.

I accept that I am incredibly biased and if I had any sense of propriety, I wouldn’t be saying this but whatever.  When I woke up one day and realized I had no clue what I really wanted to do or how to actually do anything, I knew it was time to get out of Manhattan.  It was a wonderful, beautiful chance to wander around my own head, and the city gave me the chaos I needed to be okay with that until it finally pushed me to a point where I was not.  So I moved back to California, started working in LA, and feel confident that I have my shit together every single day.

Los Angeles

…is home—and the one place that I get to change.  Los Angeles can be whatever I need it to be for me.  It’s so very reassuringly mine.  So, I guess a lot of the wanderlust comes from a sudden urge to get lost in a world that reflects someone else’s vision.  And what’s wonderful about doing that is it always reminds me that I have my own.

 

Photo by Michelle White

Photo by Michelle White 

That Time I Killed my Childhood Dream for the Sake of my Sanity

As a kid, I was blessed with a hyperactive imagination and a dramatic sense of destiny.  These are both helpful once you’re older and trying to be assertive in your creativity… but if you’re at a stage in your life when you’re obligated to take an afternoon nap, it makes you a tiny lunatic.  I believed in Santa until I was prepubescent (who cares what other people said, I had the logic worked out), and nobody could prove that dragons didn’t actually exist so I inverse-propertied that shit and stubbornly held out (we just haven’t been looking in the right places).  This was just the more fantastical stuff—you can only imagine how I was about anything over which I actually thought I had control.

Photo Submitted by Emmy Yu

I started acting in films when I was 5.   Ask me some other time, and I can go into the details of how bittersweetly intoxicating it was—the intricacies of how quickly and willingly any child ruled by wild, hungry imagination would slip under that wave of magical make-believe.  For now though, let’s just suffice to say that set life was pretty sweet.  There was free food always, someone announced my presence over walkie-talkie whenever I was anywhere, and working meant having my face on all the monitors.  I fucking loooved it.  (I’m a Capricorn.  You know who else was a Capricorn?  Stalin.)  Point being, when I realized that this was something that I was getting paid to do and technically could get paid to do for the rest of my life and, therefore, not need to do anything else but this all the freaking time… well, I was in.

I turned 6. And chose what I (thought I) would do for the rest of my life.

It’s fascinating how attached you can become to even the most trivial choice.  You embrace it because it gives definition to that messy, inscrutable concept of “self” you have in your mind.  You lock it down in front of you so you can trace the shape of it with your eyes and claim that this is you.  It’s incredibly satisfying… until, of course, it’s not.  Heavy-hitters like Fight Club and Mad Men explore the “not” in a way that I can’t even attempt, but from my basic understanding of it, you either 1) start hating the shape you’re seeing or 2) someone (maybe everyone) starts telling you “Hey, you’re wrong.  That’s not you at all.”  And you’re expected to just let go.

The second was what happened to me and, honestly, it became clear pretty early on that I would not have a future in acting.  But this was the choice I had made—not a trivial one in the slightest—and I was so very deeply attached.  I closed my eyes to the (mostly well-intentioned, for the record) Dead End Ahead messages I was getting.

I turned 10, I turned 11, I turned 12.

It’s difficult for me to step into this next part.  Even with the time I’ve had to soften the light and mute the volume, I try not to dwell on the memories of this time because it’s so easy to linger and ask unheard, unanswerable questions.  To keep it brief, the auditions were torture.  The stifling hush of cattle-call waiting rooms, where I spent at least 45 minutes for every 5 I actually auditioned.  The canned “thank you” responses that I carefully memorized, word for word, so later I could pick them apart, turn them over in my fingers and see if they meant something else. The dwindling callbacks.  The incredible silence from the phone—undeniably the most judgmental silence I have ever experienced.

I turned 17.

I don’t believe that I was an unusually intense child; it was just an atypical context for someone of that age to find herself in.  So, with the logic of my years, I decided that this whole experience couldn’t simply be something that was just happening to me—it had to be as melodramatic as “destiny.”  How on earth could anyone expect me to let go?  It had been molded into my identity for as long as I could remember and, no, it wasn’t even a significant time investment out of my year anymore—much less my day to day—but it was part of me.  You may as well have asked me to hack my arms off.

I can make jokes about it now (armless kids are funny, guys) but really, I struggled with it.  So I gave myself a cheat and went off to film school that fall to study writing and directing.  I packed your usuals—you know: clothes, new laptop, headshots, kitchenware.  I gave myself a little hope.  I wasn’t letting go of acting entirely—I would just come back to it later, and everything I had ever known about myself would still be true.  Everything I had ever insisted to be true would be true.

Photo Submitted by Emmy Yu

Photo Submitted by Emmy Yu

There’s no dramatic, climactic ending to this story.  There was no eureka! moment when I suddenly said, “Hey, get over it,” and then I did.  College and post-grad life led to a natural diminishment in the time and energy I put into keeping acting on my mind.  Admittedly, at the time, this was a transition I ignored because it was too painful to accept.  Better to cover it up with dismissive jokes about “my acting days of yore.”  Even now, I find myself fighting my panicked instinct to minimize the significance—to look it in the eye, this darling, childish fantasy of mine, and say that acting was just a phase I went through.  But I’ve also wised up to the fact that this is a kind of denial—the emotional equivalent of smiling after you’ve knocked your own teeth out.

Somewhere between ages 5 and 18, I missed the memo that there is always a gap between who you are and who you want to be, and sometimes that gap is unbridgeable.  Acknowledging reality—that this thing I once thought was an everlasting part of my life would actually end up as a montage in my head—was a terribly painful but necessary step in growing up.  And I’m not even sure how it happened but I can say that it did.  I stopped paying my SAG/AFTRA dues.  I don’t even remember where my headshots are stored.

The concept of “letting go” is a horrible, shrieking abomination—one of life’s unfortunate staples that will hold you down beneath the surface of all your expectations, breathless, drowning in your impotence.  What’s worse is that your instinct to fight it will cause you just as much pain—the lengths to which you will go so you can trick and manipulate yourself into thinking that it’s done or that it didn’t matter.  If you find yourself there, be honest with yourself but be gentle, too.  Be okay with the fact that you had hoped for something you couldn’t control and it ultimately disappointed you.  Paolo Coelho said “Everything will be okay in the end.  If it’s not okay, then it’s not the end.”  The end comes when you least expect it and will be much easier than you ever imagined.  You won’t even feel relief because you will have already floated on.

And if that’s too flowery to digest, just think of it as forcing yourself to throw up after a night of hard drinking.

Grammar 101

The first step in understanding grammar is realizing punctuation does not make English work all by itself. Clarity comes from the structure of the sentence; punctuation just acts as the signage to make the roadway safer. To know where to put all those yield signs and stop lights, one must first understand how to break down a sentence.

Sentence Structure

We’ve all heard the words noun, verb, adjective, and object. But you may not have spared a thought for your sentence structure in over a decade!

Sentence structure centers on the action, just like a novel centers on the climax. If you can locate the verb (the action) of the sentence, you’re doing pretty well:

The highly sophisticated man hesitated to buy more champagne.

Wait, “hesitated” is a verb, but isn’t “to buy” also a verb? True, but since “to buy” is does not agree with the subject, we know it’s not the main action verb of the sentence. “Buying” is not what happened; what happened was the man “hesitating.”

In this example, “to buy” is a noun (the object of the sentence) and “to buy more champagne” is the full noun phrase. “Man” is also a noun in the full noun phrase, “the highly sophisticated man.”

A full noun phrase includes smaller units (articles, like “the,” and adjectives, like “highly sophisticated”). “Highly sophisticated” is a compound adjective composed of an adverb and an adjective. Many different combinations exist for compound adjectives; to better understand them we need to talk a bit about hyphens.

Hyphens

Hyphens are great for connecting words to achieve more precise meanings:

the “miniature dog competition” or

the “miniature-dog competition”

In the first example, we have a miniature competition for dogs; in the second, we have a competition for miniature dogs. The hyphen tells us that “miniature” modifies “dog,” making a compound adjective that modifies “competition.”

Compound adjectives come in different combinations that require hyphens, and here are just a few examples:

  • Adverb & Adjective (requires a hyphen, unless ending in –ly): well-known businesswoman or highly sophisticated man
  • Noun & Adjective (requires a hyphen): waste-free container or wild-goose chase
  • Noun & Noun (requires a hyphen): Blue-green eyes or Salt-and-pepper hair
  • Noun & Verb (requires a hyphen): Mind-blowing hypothesis

En-Dashes vs. Em-Dashes

En-dashes (–) work as super-duper hyphens: they can create compound adjectives by connecting other compounds, dates, times, etc.:

  • White House–like mansion
  • United Kingdom–United States relations
  • 1856–1943
  • 7:30–8:45

However, unlike hyphens and en-dashes, em-dashes () work to connect parts of a sentence instead of words.  Em-dashes are one of three punctuation options for parentheticals: commas, em-dashes, and parentheses. (More on parentheticals below.)

Visually these dashes can be deceiving but they are actually each different lengths. The hyphen is a short dash, while the en-dash is the length of a capital N and the em-dash is the length of a capital M. Since typewriters wrote in a monospaced typeface (like the font “Courier”), en-dashes and em-dashes were mimicked by using two hyphens in a row. Because of this tradition of typing, word processors on computers (like Microsoft Word) will translate two hyphens and automatically replace them with the en-dash and em-dash characters.

  • Between two words, type a space, two hyphens, and a space to create an en-dash
  • Between two words, type two hyphens without spaces to create an em-dash

Your word processor will replace the punctuation as you continue typing your sentence.

Parentheticals (Parentheses vs. Commas vs. Em-Dashes)

Parentheticals in sentences are like asides in a play: they’re inserted when you have extra information that the audience needs, even though the information doesn’t explicitly affect the action.

In the examples below, the sentence still centers on the action: what is being done (“hesitating to buy champagne”) and who is doing it (“the highly sophisticated man”).  All other information is extraneous, and it should be set apart in parentheticals.

The three types of parenthetical punctuation determine whether your actors will whisper, speak, or shout the aside.

Parentheses: “whispering,” or suppressing the information.

The highly sophisticated man hesitated to buy more champagne (even though it was on sale).

Commas: “speaking,” or providing no emphasis on the information.

The highly sophisticated man, because it was an unfamiliar brand, hesitated to buy more champagne.

Em-dashes: “shouting,” or drawing attention to the information.

The highly sophisticated man—who recently lost his fortune—hesitated to buy more champagne.

But what happens if we relocate the parenthetical in the second example?

The highly sophisticated man hesitated to buy more champagne, because it was an unfamiliar brand.

Because it was an unfamiliar brand, the highly sophisticated man hesitated to buy more champagne.

Oh, no!  “Because” at the beginning of a sentence!? Don’t worry: it’s okay! The entire parenthetical is acting as an introductory phrase, which is totally legit. (I promise that your elementary school teacher isn’t going to come after you in your sleep tonight.) Notice that there is only one comma in each of these sentences. This is because commas and en-dashes do not need to come in pairs the way parentheses do: think of them like bookends, which can hold up a stack of books against a wall to the left or right.

Terminal Punctuation in Parentheticals

One final punctuation tip: terminal punctuation (periods, exclamation points, and question marks) sometimes go within parentheses and sometimes don’t. So how do you know where to put them?

A terminal punctuation mark will go on the outside when it applies to a larger sentence, but when an entire sentence is enclosed in parentheses, the punctuation will stay with its sentence.

An easy way to figure it out is to locate your verb: if the verb is inside, so is the period; if the verb is outside, the period is too.

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Photo by Meaghan Morrison