Tag Archives: demystifying

Olympics: Putin on the Propaganda

Ever since I first saw Anya and her pup Pooka twirling around the ballroom of the Winter Palace in the animated movie Anastasia, I’ve had a fascination with Mother Russia. The fairytale of a long-lost duchess captivated me, and I’ve since spent a lot of time reading about Russian history. (Yeah, I’m a pretty big nerd, but I’ve learned to be ok with that).

With all eyes now on Sochi (and @SochiProblems), the issues concerning these Olympic games themselves—corruption, animal cruelty, environmental damage, hacking, and bathroom misadventures—have all been well documented. While I’m all for some friendly international schadenfreude, the vast majority of the media coverage has been driving me a little bonkers. While it is easy to file reports and express outrage over the jailing of pretty protesters or the passage of anti-LGBT propaganda laws (though we shouldn’t be ones to talk—similar laws exist in Alabama, Arizona, Louisiana, Mississippi, Oklahoma, South Carolina, Texas, and Utah), it is much harder to accurately depict the state of modern Russia—a basic overview of the abuses of power, human rights violations, and economic woes is sorely lacking.

From everything that I have read and studied, the simplest way I can think of to explain the Russia that grew from the fall of the Soviet Union is to call it a “bizzaro world”—a veiled, faux-democratic version of what the U.S. could have become had we lost the Cold War. While each controversy is worthy of its own Tolstoy-length novel, in order to truly understand modern Russia, I believe that it is first essential to understand how and why Vladimir Putin, the former KGB official (and Forbes’ reigning Most Powerful Person) has been in power for the past 14 years. This is what I have come to understand through the looking glass of social media and Lexis Nexis:

Following the resignation of then-president Boris Yeltsin, Putin was named acting president in 1999; he later went on to win an election in his own right in 2000. Since then, as the face and puppet master of modern Russia, Putin has consolidated his power by strong-arming the oligarchy (the roughly 110 Russian citizens who control over one-third of all wealth in Russia) into submission through an exchange of support for political appointments and financial favors, limiting—and eliminating—voices of dissent, and pandering to the leaders of the Russian Orthodox Church.

In 2007, Putin dissolved his own government in order to have a freer hand in controlling upcoming national elections; a year later, in 2008, he unofficially entered into a shared tandemocracy (that’s tandem+democracy) with current Prime Minister Dmitry Medvedev. This arrangement allows the pair to simply exchange titles when they have reached the end of their term limits (though, of course, they’ve also extended their own term limits from four to six years). Because of this, Putin has the distinction of being both the second and fourth president of what is officially called the Russian Federation.

As terminology goes, Putin’s approach to politics has been described as a sovereign democracy—that is, he insists on the unquestioned acceptance of his actions as reflective of the will of the Russian people. Of course, that’s not exactly the case; Putin basically does whatever he wants. This appearance-above-fact approach extends to every aspect of his persona and governance. To wit: though Putin’s notorious attempts to cultivate a “he-man” image may seem overtly oafish or appear to be vanity training for Festivus’ Feats of Strength, his tactics actually mirror old Soviet propaganda strategies. This thought mentality extends past Putin’s image into official policy and has clearly been on display at Sochi (the Opening Ceremony was curiously quiet on certain aspects of Russian history). It may seem like a joke, but it actually must have taken extraordinary restraint for this man to not ride horseback or fight a tiger during the Opening Ceremony.

Putin’s promotion of traditional, conservative Russian interests (namely, money and power) are best exemplified through his attempts to influence former Soviet satellite states and silence dissenters, both at home and abroad. In this way, he operates as though the might of the USSR is still the status quo and ferociously objects to what he views as Western influence in the region.

Internationally, his recent $15 billion attempt to bribe the Ukraine into rejecting a trade agreement with the European Union has, much to his dismay, only helped to escalate tensions in the reign. However, the attempt itself is not surprising. Much like the 2008 South Ossetia War against Georgia (a NATO nation), the situation in the Ukraine hinges on the potential democratization of what Putin views to be Russian property. These actions, along with his agitated support of fellow human rights violator Syrian President Bashar al-Assad, are a clear assertion of Putin’s vision of Russia as an equally viable alternative to Western European and American leadership, despite the fact that he cannot provide his citizens with clean drinking water.

Within Russia itself, critics of Putin and his regime are often silenced by way of exile to Siberia—literally. Pussy Riot is, perhaps, the most famous example of this methodology; an individual or group voices criticism, is convicted of trumped up charges (hooliganism, etc) during a show trial, and sent to suffer in one of the state’s prison colonies. Throughout and after this process, the target(s) will also be under constant scrutiny and even physical attack from Putin’s armed forces and the state-controlled media.

And speaking of the media: in late 2012, Putin announced the creation of a new news agency, Rossiya Segodnya, tasked with the sole responsibility of broadcasting coverage to promote the Russian image. This is reminiscent of Soviet-era broadcasting and comes on top of the fact that nearly all Russian media is already controlled by the state (the one independent network, TV Rain, has recently been dropped by most carriers following governmental pressure).

This systematic control system that Putin has established underscores not only the climate under which the Olympics are currently being held, but also the living situation of the more than 143 million Russian people. While it is easy to scoff and dismiss the quirks of Sochi, I believe that there is a very real danger in laughing and falling down that rabbit hole. To not acknowledge the inherent problems and continued rise of Putin’s Soviet-style governance is to ignore the denial of voices and basic human rights to an entire populace; to not acknowledge this, but to acknowledge the double toilets, is to fall into Putin’s propaganda. His values aren’t Olympic values and there is nothing sportsmanlike about his conduct.

Photo by Remi Coin

Photo by Remi Coin

Demystifying Figure Skating

When I was five years old I became obsessed with figure skating. Not just mesmerized or fascinated, but outright obsessed. I watched it every chance I got on television and imagined throwing myself into the air to spin like the skaters I idolized. I even used my slippers to glide across the kitchen floor, pretending I was skating on ice.

My parents were pretty entertained by this and when my obsession didn’t go away after a few weeks, they enrolled me in skating classes at the local ice rink. I’m pretty sure they thought I’d get bored with it and move on after a few sessions. But instead I turned out to be an avid skater, rarely ever falling, and skipping right past the tots intro class that required you to wear a helmet and skate with an orange safety cone.

For the next few years I skated every winter (it was a seasonal rink) and did fairly well, that is until I hit the moves that required me to have a fair amount of (read: any) coordination.

I skated on and off until I was twelve, when a not-so-great injury made me realize that I was not built to throw myself into the air and never would be. I moved on to other interests but I still hold a love for the sport that captured my attention when I was little.

So to help those who are new to this wonderful sport (yes, it’s a sport, don’t you dare argue with me), here are a few keys elements you’ll be looking at when watching the skating unfold.

1) Jumps

Ah, yes, throwing yourself blindly into the air and then landing on a thin piece of metal on a slippery surface. No big deal, right? There are six types of jumps – the toe loop, the Lutz, the flip, the Salchow the loop, and the Axel – often in double and triple form (if not quads, which is INSANE) because that’s how many rotations they have to get through in the air before landing. To get an idea of what these look like and for more detail on what each of them are, check out this awesome article from The Wire with gifs of each of them. They then have to land on the appropriate edge of their skate (inside or outside, depending on which way they’re going) and they better not even dare to land on two feet or man are they screwed in points.

2) Spins

There are a six core spins you will see and hear about in the Olympics, all of which require so much speed that many of the skaters become blurs before your eyes –  the scratch, the flying, the sit, the Biellmann, the layback (my favorite), and the camel. Check out this handy guide, with GIFs, that compliments The Wire’s article. All of these require a solid center, much flexibility, and an enormous amount of power and core strength to keep the speed up. These spins often have variations as well – like switching feet, picking up speed mid-spin, and even occasionally combining spins – in order to get more points for difficulty. On top of it, they are seen as more artistic than jumps, and therefore must be graceful in order to also be seen as effective. It’s no easy task.

3) All those other random moves they do

A lot of other moves are seen more for artistic movement. Some don’t have official names, and most of that is dance-like stuff, but there are a few I can quickly introduce you to.

Spiral – nonsensically, this is the move where the skater puts her leg high into the air behind her (or sometimes in front of her if she’s a pretzel) and glides. It’s actually a lot easier than it looks (didn’t think I’d say that, eh?) but requires massive amounts of flexibility and balance.

Lunge – this is exactly as it sounds. The skater puts his leg down onto the ice and drags it behind him, usually for just a second or two because it will slow him down. This requires a strong center of gravity, let me tell you, or you’ll end up in the most uncomfortable half-split of your life. I may or may not be speaking from experience.

Crossovers – oh, these things suck. These things are what did me in early in my years of lessons because I was so clumsy. The concept is that you cross one foot over the other, either forwards or backwards, and it helps you gain speed—plus it looks nice. They do these constantly while skating. Look for them next time you watch and you won’t be able to un-see them again.

There you go – your basics to the language of figure skating. If you’re still hungry for more terminology, check out the United States Figure Skating Association’s glossary of terms – it’s comprehensive and very useful. Now go pop some popcorn and settle into your couch while you watch these skaters fling themselves into the air, spin at high speeds and generally do things that seem unsafe for the population at large. And then watch them cry as they get their scores. It’s the next great American pastime – only with ice, blades, and absolutely no padding, because padding is for amateurs.

Photo by Sara Slattery

Photo by Sara Slattery